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2016 and 2017 paintings

In this recent work my inquiry is around the concept of painting as mark-making. The works reference the importance of mark-making as a mode of expression, the gestural nature and bodily scale of this mark-making process, and the notion of trace which indicates the presence of the artist and thereby positions the artist within the work.
With the canvas on the floor, or a low surface, I work from all sides of it, reaching into it and working with large bodily strokes, continually moving around the work as the painting evolves.

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